Miya Turnbull- Visual Artist
PRESS/FEATURES/INTERVIEWS
“Miya Turnbull- The Art Between” Biopic presented by ArtSeen, 2023
Visual Arts News, Volume 44, Number 2, Fall 2022
So honoured to have my artwork on the cover of the latest issue of Visual Arts News, a magazine that explores contemporary art practices in Atlantic Canada, on the unceded and unsurrendered lands of the Beothuk, Mi’kmaq, Wolastoqiyik, Inuit, Innu, and the Southern Inuit of NunatuKavut
.A beautiful article written by Clare Goulet, a local writer, poet and educator, is published on pages 21-25. You can read the article here and the magazine is now available for purchase.
Nikkei Voice, the Japanese Canadian National Newspaper
Interview and article written by Kelly Fleck (editor).
Printed in the holiday issue (Dec 2022/Jan 2023), Vol. 36, No. 10. Pages 11, 19.
Read the article here
Honoured to be included in the latest issue of Warriors Within Collective Magazine, issue #10 (August 2022)
A huge thank you to Krista Davenport, a photographer from Texas who curates this beautiful magazine, and for inviting me to join the tribe of amazing warrior women artists!
Cover artist: Novraka
Photo credit: Shion Skye Carter (image of me laying on the ground with my masks)
Written by Gata Magazine, an independent online magazine based in Tokyo, Japan.
Featured on their Instagram account, May 29th, 2022
A Spliced, Inverted and Distorted
Identity: MIYA TURNBULL
Miya Turnbull is a Canadian multidisciplinary artist of
Japanese, English and Scottish heritage. Recurringly
using her own likeness as her motif, she explores
themes of identity, creating masks as three-
dimensional self-portraits. Through sculpture,
photography, collage and origami, Turnbull examines
emotions of being "in-between"-referencing her
mixed ancestry-and explores the vulnerabilities of the
ever-changing physical appearance. Through spliced
and distorted faces, multiple photorealistic eyes as well
as the intertwining of cultural identity elements,
Turnbull's works evoke notions of surrealism and
disillusionment, triggering sentiments of the uncanny
valley. Although mainly working with masks, Turnbull
has worked with mediums such as animation, textiles,
and film.
In her latest short film "Omote(面)" which can be
translated as surface or face, she works with
Vancouver-based dance artist Shion Skye Carter who is
also of mixed-Japanese heritage to reflect on the
diaspora of being of Nikkei heritage; Nikkei referring to
Japanese emigrants, or descendants born overseas.
Lovers of Shintaro Kago or Satoshi Kon will surely be
captivated by Turnbull's work as some of her work
bears a likeness to the former, just in a real-life
rendition
To see more of her work head over to her Instagram
@miyamask
I am the cover and featured artist in the latest issue of MASKS Literary Magazine, which is an independent, non-profit literary magazine, published in partnership with the Columbia College Chicago Library and the Aesthetics of Research Program.
Read the online version of the magazine here
Read my full interview here
The Perfect Magazine (UK)- Interview and Feature
January 2nd, 2022
Thank you to Danny Forbes for the thought provoking questions and also to Amelia White, senior editor.
So thrilled and proud to be the Cover and Featured Artist in this International Contemporary Art Magazine based out of Germany.
Check out my masks, sculptures, photographs and an interview where I talk about my influences, challenges, the local art scene in Nova Scotia and my future plans. This magazine is full of amazing artwork from around the world from 18 artists.
To read the Online Magazine, please visit:
If you have trouble reading my interview, you can see it here.
Click here to order a printed copy:
Vogue Thailand
Article written by Nattanam Waiyahong, Nov 11th, 2021
Read the article here- translated to English through Google Translate.
Planted Journal is a digital magazine based out of Milan, with a mandate of “bridging the gap between human and nature through art and romance. To get closer to nature, we must first understand ourselves. Hence: The Body Issue.” Thank you to Priyanka Singh for the very challenging and thought provoking questions!
To read the full interview and see my responses: please visit their website
Interview and Feature: August 17th, 2021
Nikkei Monogatari, Volume 1 is a beautiful online zine presented by Japanese For Nikkei and I’m so honoured to have my artwork included in it.
Nikkei is defined as people of Japanese descent, and there are many ‘diverse perspectives on what Nikkei identity means’. The ‘first volume of Nikkei Monotagari features the work of artists and writers who share their experiences of living in-between spaces, places and identities.’
Artwork by: Dona Nabata, Anna Omori and Miya Turnbull
Esssays & Critical Reflections by: Maria Claridge, Linda Cooper, Aurora Tsai and Ken Yoshida.
A huge thanks to co-founders: Mimi Okabe and Catherine Sachi Kikuchi for all their hard work on this labour of love!
I was honoured to be included in this magazine article by Dr. Katherine Yamashita, featuring artwork by 5 Japanese-Canadian artists. Subaru Six-Star Magazine. “Profound, Relevant & Resonant to the Core.” Published Fall/Winter 2017.
Print/Online/TV
- "Artist Miya Turnbull reveals the layers beneath in new solo exhibition." Interview by Kelly Fleck (Editor). Nikkei Voice. Oct 3rd, 2024.
- PULP Exhibition Catalogue. Featuring the art of Badanna Zack, Edward Poitras, Gathie Falk, Mia Feuer, Miya Turnbull and Susan Andrews Grace. Text and curation by Arin Fay. Published by Nelson Museum, Archive & Gallery. Printed in Canada by Hall Printing, 2024. Pages: selected Covers, 5, 7, 8, 32-35; ISBN: 978-1-9990446-9-5.
- "Mask maker and Butoh dancer unite for Ladder 梯子, rooted in Japanese Canadian history." Elissa Barnard. NS reviews (Reviews of Theatre and Art and beyond). June 24th, 2024.
- "Expression Unmasked”, short film directed by Ebony R. Gooden. Produced by: Esker Foundation & Inside Out Theatre. Art works featured by Miya Turnbull. Special thanks to: Calgary Association of the Deaf. June 2024.
- “Guess who I am? When 19 artists ‘wear masks. (translated)’” Hi Art. June 15th, 2024.
- “SEEWELL Opening Scene | “Mask ‘Mistake’”, the self-covering and real pursuit of modern society. (translated)” Chen Xufeng, Chi Xinyi. Weishi International Art Centre. June 16th, 2024.
- “New ballet in Niagara tells story of internment of Japanese Canadians during WWII”. Bobby Hristova, CBC News. (Mask image shown). June 18th, 2024.
- “Your persona has been exposed by me! (translated)” Lei Lei, Outside the Elephant, June 19th, 2024.
- “It seems that all the characters have become masked individuals. (translated)” Gao Wenjian, Images and Eyes. June 20, 2024.
- “A Ladder Across the Globe: Collaborative Project Connects Canadian and Japanese Artist.” Nikkei Voice, interview and article by Kelly Fleck. June 2024. Vol 38. No 5. Pages 9 and 15.
- "'Omote' by Miya Turnbull." Interview by Kimi Hamada. Features Editor of Booooooom. Vancouver, BC. May 20, 2024.
- 2023 Bonavista Biennale: Host Catalogue.Text by: Sue Balint, Ryan Rice & Rose Bouthillier, Billy Gauthier, Bushra Junaid, Caroline Seck Langill, and Logan MacDonald. Incredible Printing, 2024. Pages 100-103; ISBN 978-1-7752618-3-4
-“Meet Miya Turnbull.” Raandoom, Arts and Culture. Interview and article by Yağmur Cevizli. March 25th, 2024. (Italy)
- Allie X ”Girl with No Face”. Tom Kingsley, The Line of Best Fit. (Mask images- Album Cover and Music Video) Feb 19th, 2024.
- "Self." WA Magazine. Issue 14. January 2024. Pages 24-25.
- "In 2023, these were CBC Arts’ favourite things." CBC Arts. (Mention) Carly Maga. Dec 18th, 2023.
- "Omote (面)- Miya Turnbull, Shion Skye Carter and Nanne Springer." Cover Story and Interview by John Endo Greenaway (editor), The Bulletin-Geppo.Vancouver, BC. Dec 2023. Cover page and pages 1, 18-22, 49.
- “Allie X is Tearing Up Her Sound and Going Back to the Eighties.” By Tomás Mier, Rolling Stone Magazine. (Mask images- Album Cover, Photos and Music Video) Nov 16, 2023.
- "Miya Turnbull, Art in Between". ArtSeen Biopic produced by ARTSPLACE Gallery, NS. Interviewed and filmed by Andrew Tolson. Released Nov 2023.
- "Omote (面)- Photo Book." Collaboration with Shion Skye Carter and Nanne Springer (photography). Limited edition 100 copies. Publisher: Artmobile. October 2023. ISBN: 9781954780385
- Hi, Art: CBC Arts Newsletter (feature). Leah Collins, Oct 8th, 2023.
- “‘All Life Comes from Her’- A Gathering Place for Narratives at the Edges.” Patrick Pittman, Arcade. Koffler Arts. September 27th, 2023.
- “‘All Life Comes from Her’- A Gathering Place for Narratives at the Edges.” Patrick Pittman, Arcade. Koffler Arts. Sept 27th, 2023.
- “Five must-see gallery and museum exhibits coming up this fall.” Globe and Mail. Kate Taylor. September 14th, 2023.
- “Bonavista Peninsula plays ‘host’ to 23 contemporary art works for 2023 biennale.” CBC News. Article by Andrew Hawthorn. (Image included) Aug 20th, 2023
- “Miya Turnbull: We all wear ‘masks’.” Foxylab New York Magazine. Text and Interview by Valeriia Buklina. Aug 16th, 2023 (USA)
- "Accessories for a stylish bank robbery: Fashion for Bank Robbers.” (Images) Hype&Hyper Magazine. Article by Tóth Zsófia. Dive, Part 9. August 5th, 2023 (Hungary)
- "Nobody's Tryin' Like This, I'm Dali, Van, Picasso" (translated). Art feature, Pap Korea. August 4th, 2023 (Korea)
- “Inhabiting Disguises: Miya Turnbull”. Based Istanbul. Interview by Ceydanur Demir. July 6th, 2023 (Turkey)
- "The Bonavista Biennale". Newfoundland Quarterly published by Memorial University. Image and Interview by Joan Sullivan (Editor). Vol 116, No. 1. Summer 2023. p. 25. (Canada)
- "Revealing Layers Within." Nikkei Voice, interview and feature article by Kelly Fleck (editor). Vol. 37, No. 4. May 2023. Cover page and page 9. (Canada)
- "Miya Turnbull takes her masks into the performance arena with dancer Shion Skye Carter." Montréal Bulletin, written by Heather Midori Yamada. Vol 78, No. 3. April 2023. Pages 2-4. (Canada)
- "Revealing behind the mask." Nikkei Voice, interview and article by Kelly Fleck (editor). Vol. 36, No. 10. Dec 2022. Pages 11, 19. (Canada)
- "Collectarium Lockdown Masks". Limited Edition Book (Participating Artist). Collectarium. Allyson Waller and Sophie Beard. 2022. UK
-" Miya Turnbull's Inward, Outwards exhibit at Acadia University in Wolfville, NS". Saltwire (The Chronicle Herald), Wendy Elliot. Nov 22, 2022. (Canada)
- "Miya Turnbull's Self-Portrait Mask Art." Visual Arts News, interview and article by Clare Goulet. Vol. 44, No. 2, Fall 2022. Pages 21-25. (Canada)
- “Many Faces”. Süddeutsche Zeitung, written by Sofia Pavlu. Aug 12th, 2022 (Germany)
- The Warriors Within Collective Magazine, Featured Artist. Vol 10, Aug 2022. Pages 16-19 (US)
- Artsin Square, Featured Artist. Issue #2, pages 122-125. Spring 2022 (Canada)
- People and Places, Artist Talk Magazine. Issue #18, page 84. January 2022. ISSN: 12090882 (UK)
- "Miya Turnbull's exploration of vulnerability through the art of Origami and Paper Mache." Interviewed by Danny Forbes, The Perfect Magazine, January 2nd, 2022. (UK)
- "If Two Faced People Aren't Enough, World Class Artist Has Created 100 Masks for Everyone to Experience." Feature and article by Nattanam Waiyahong, Vogue Thailand. Nov 11th, 2021. (Thailand)
- MASKS Literary Magazine, Columbia College Chicago Library. Cover/Featured Artist. Interviewed by C.T. Lisa. Issue #2, Fall 2021. (USA)
- "Nocturne Welcomes over 100 Artists over 4 nights", CBC News. (Art featured). October 13th, 2021.
- "Holding Liminal Space". The Clayton Park Wire. (Image) Page 4. Oct 13th, 2021.
- "Nikkei Monogatari", Volume #1. Japanese for Nikkei. Art featured on pages 0, 22-24. Fall 2021.
- "Exploring Identity/ Miya Turnbull", Interviewed by Priyanka Singh, Planted Journal, Issue #1- The Body, Aug 17th, 2021 (Milan/India).
- Artist Directory, Aesthetica Magazine, Issue #102, Aug/Sept 2021. Page 142; ISSN 1743-271 (UK).
- Art Reveal Magazine no. 59, May 2021, Cover/Featured Artist and Interview. Pages 1, 4, 104-109; ISBN: 9781006890352 (Germany).
- "Engaging Creativities: Art in the Pandemic, a virtual exhibit" Promotional Video for Exhibit presented by University of Alberta (Dept of Art and Design) and RSC (Royal Society of Canada). April 16th, 2021.
- "A Mask of One's Own". Authored and presented by Nataliya Tchermalykh (University of Geneva) at the Royal Anthropological Institute Conference in Visual Anthropology as part of the RAI Film Festival (normally occurring in Bristol, UK, but online this year due to Covid). March 19-28th, 2021.
-"O rosto é a primeira máscara: as artes visuais de Miya Turnbull (The face is the first mask: the visual arts of Miya Turnbull)". Oficina Palimpsestus. (Artist Feature.) March 9th, 2021. (Brazil)
- "Miya Turnbull: The Face Behind the Mask". Interviewed by Norm Masaji Ibuki, Discover Nikkei. February 25th, 2021 (Part 1) February 26th, 2021 (Part 2).
-V isual Arts Abstract. (Art Feature), presented by Christopher Webb, Global News Morning Halifax. Nov 5th, 2020.
-“Japanese Canadian Art in the time of Covid-19- Part 2”. Discover Nikkei. September 10th, 2020.
- "Laurie Frankel Launches Charity to Support Families, Honor Frontline Workers, and Promote Mask Use." American Photographic Artists. (Image) July 10th, 2020.
- "Art Show Brightening the Winter in Truro". Truro News. (Image). January 9th, 2020.
- “Blending Cultural Identities in New Art Exhibition”. Interview and article by Kelly Fleck, editor of Nikkei Voice. Vol 33, No 2. March 2019. Page 8 and 15.
- "Japanese Canadians in the Arts." Bryce Kanbara. Essay accompanying Being Japanese Canadian: reflections on a broken world ROM Exhibition, February 2 to August 5, 2019.
- “Mother and Daughter Artists: Marjene Matsunaga Turnbull/Miya Turnbull”. Community Voice. (Article and Image Printed). January 29th, 2019. Page 12.
- 5 Top Japanese Canadian Artists. “Profound, Relevant & Resonant to the Core.” Katherine Yamashita, Six-Star Magazine (Subaru Life). Fall/Winter 2017. Page 16-19. (See above)
- Featured Artist Profile. Visual Arts Nova Scotia. December 2015.
- "12 Weeks Along/Umbilical". Understorey Magazine (Collage Image). Autumn 2013: Issue One.
- "(Un)covering Gender Roles". Queen's University The Journal. (Article and Image) January 25th, 2008.
- "Masks Show Off Family Talent." The Stony Plain Reporter: Arts and Culture. (Article and Image). January 25, 2008. Page 66.
- “Like Mother, Like Daughter.” Moshi Moshi (Edmonton Japanese Community Association). (Article and Image). Vol. 33, No. 3. January/February 2008. Page 16.
- "Putting a New Face on Ross Creek Centre." The Chronicle Herald: Spotlight. (Image). April 19th, 2007. Page F8
- "Miya Turnbull: Looking beyond the Mask". Interviewed by Heather White Brittain, The Dartmouth Laker: Laker Arts. Vol. 10, No. 2. February, 2007. Pages 8 and 9.
- ATV, "Live at 5", Promotion of my exhibit "Inside and Out" at the Craig Gallery, January 19th, 2007.
- Eastlink Television, "The Straight Goods" Interviewed by Shahin Sayadi, hosted by Multicultural Association of Nova Scotia (60 min). Episode 23. March 22nd, 2006. (See video below)
- Eastlink Television. "The Fax" Interview by Sarah Hoyles about my masks in "Media Masquerade" exhibit at Anna Leonowens Gallery, Halifax. Aired October 27th, 2005. (See video below)
Interviews/Presentations/Artist Talks/Mini Docs:
Excerpts of Interview with Miya Turnbull, 2006
Eastlink Television "The Fax" Interview with Miya Turnbull, 2005
G101 Artist Talk: Behind Between Beyond
Essay by Mindy Hurlburt-Wong, 2008
-written for Miya's catalogue for "Inside and Out" exhibit at ARTsPLACE gallery in Annapolis Royal, NS.
Miya Turnbull’s body of work, Inside and Out, is self-portraiture in papier-mâché mask form. Using photo montage she presents to us all of her faces: beautiful and grotesque, expressions of the sublime and the banal; rows of masks staring back at you, confronting your gaze, refusing your gaze, mimicking your judgments. Each one of these masks represents an aspect of a whole, gendered, social identity. The same face is repeated, its features altered or removed. Maybe only the eyes move, as in her series Somewhere In Between, in which they slant startlingly high then turn down slowly until the outward edges droop onto the cheeks. Turnbull creates a beautiful homage to her Eurasian heritage in many of these pieces. In Self Portrait (Half Japanese), pages from the Nikkei Voice (a national forum for Japanese Canadians) are violently breaking through her outer skin, which speaks forcefully of her struggle to unite her mixed cultural identity. Through the exaggeration of her struggles and pleasures she experiments with finding the limits of what she can still call herself.
If the nature of a mask is to conceal, then Miya Turnbull has failed to use the medium correctly. What she has managed to do with the form is reveal her inner self and the nature of self image. When we comment on self and identity, we only have ourselves to reference, and the truth of Miya’s work is that there are many selves within one identity, each formed through our interactions with others. She is intensely interested in examining her responses to how her individuality is read by others, and has managed to self-analyze and create a distance between how others read her and who she is. She asks the question, what is true about outside assumptions of my culture, my gender, my interior world? And she creates even more distance by turning those truths into objects: masks that she can choose to put on or take off at will. This critical distance allows her to fetishize these pieces of herself that could be uncomfortable; embrace the stereotypes and her cultural confusion; and play with, dramatize and enjoy her differences.
There is no negativity in these works, but rather celebration, and a quiet contemplation. Although some pieces appear defensive, vulnerable or defiant, the feeling here is of release. It is as if she peels off the layers of her identity to honor each emotion, recognize them and hold them up as singular, name them and give them agency. What Turnbull asks us here is, is there an essentialness to us? A truth that is untouched by others’ perceptions of us? Or is it through these judgments and evaluations that we create ourselves, as we internalize and respond to them? When you strip them all off, is there something left? Or is it only when all masks are integrated that we find the self that is you?